I would even go so far as to say that the links occupy a place as a traditional form of art. But the artifice should be subjected so that it remains hidden. Unnecessary hazards, however prettily they may be shaped, will destroy the unity and harmony of the natural surroundings; they should merge in the fairways as if they had been made for centuries. H.N. WETHERED
I would even go so far as to say that the links occupy a place as a traditional form of art. But the artifice should be subjected so that it remains hidden. Unnecessary hazards, however prettily they may be shaped, will destroy the unity and harmony of the natural surroundings; they should merge in the fairways as if they had been made for centuries. H.N. WETHERED
I would even go so far as to say that the links occupy a place as a traditional form of art. But the artifice should be subjected so that it remains hidden. Unnecessary hazards, however prettily they may be shaped, will destroy the unity and harmony of the natural surroundings; they should merge in the fairways as if they had been made for centuries. H.N. WETHERED
I would even go so far as to say that the links occupy a place as a traditional form of art. But the artifice should be subjected so that it remains hidden. Unnecessary hazards, however prettily they may be shaped, will destroy the unity and harmony of the natural surroundings; they should merge in the fairways as if they had been made for centuries. H.N. WETHERED
I would even go so far as to say that the links occupy a place as a traditional form of art. But the artifice should be subjected so that it remains hidden. Unnecessary hazards, however prettily they may be shaped, will destroy the unity and harmony of the natural surroundings; they should merge in the fairways as if they had been made for centuries. H.N. WETHERED
I would even go so far as to say that the links occupy a place as a traditional form of art. But the artifice should be subjected so that it remains hidden. Unnecessary hazards, however prettily they may be shaped, will destroy the unity and harmony of the natural surroundings; they should merge in the fairways as if they had been made for centuries. H.N. WETHERED
I would even go so far as to say that the links occupy a place as a traditional form of art. But the artifice should be subjected so that it remains hidden. Unnecessary hazards, however prettily they may be shaped, will destroy the unity and harmony of the natural surroundings; they should merge in the fairways as if they had been made for centuries. H.N. WETHERED
I would even go so far as to say that the links occupy a place as a traditional form of art. But the artifice should be subjected so that it remains hidden. Unnecessary hazards, however prettily they may be shaped, will destroy the unity and harmony of the natural surroundings; they should merge in the fairways as if they had been made for centuries. H.N. WETHERED
I would even go so far as to say that the links occupy a place as a traditional form of art. But the artifice should be subjected so that it remains hidden. Unnecessary hazards, however prettily they may be shaped, will destroy the unity and harmony of the natural surroundings; they should merge in the fairways as if they had been made for centuries. H.N. WETHERED
I would even go so far as to say that the links occupy a place as a traditional form of art. But the artifice should be subjected so that it remains hidden. Unnecessary hazards, however prettily they may be shaped, will destroy the unity and harmony of the natural surroundings; they should merge in the fairways as if they had been made for centuries. H.N. WETHERED
I would even go so far as to say that the links occupy a place as a traditional form of art. But the artifice should be subjected so that it remains hidden. Unnecessary hazards, however prettily they may be shaped, will destroy the unity and harmony of the natural surroundings; they should merge in the fairways as if they had been made for centuries. H.N. WETHERED
I would even go so far as to say that the links occupy a place as a traditional form of art. But the artifice should be subjected so that it remains hidden. Unnecessary hazards, however prettily they may be shaped, will destroy the unity and harmony of the natural surroundings; they should merge in the fairways as if they had been made for centuries. H.N. WETHERED
I would even go so far as to say that the links occupy a place as a traditional form of art. But the artifice should be subjected so that it remains hidden. Unnecessary hazards, however prettily they may be shaped, will destroy the unity and harmony of the natural surroundings; they should merge in the fairways as if they had been made for centuries. H.N. WETHERED
I would even go so far as to say that the links occupy a place as a traditional form of art. But the artifice should be subjected so that it remains hidden. Unnecessary hazards, however prettily they may be shaped, will destroy the unity and harmony of the natural surroundings; they should merge in the fairways as if they had been made for centuries. H.N. WETHERED
I would even go so far as to say that the links occupy a place as a traditional form of art. But the artifice should be subjected so that it remains hidden. Unnecessary hazards, however prettily they may be shaped, will destroy the unity and harmony of the natural surroundings; they should merge in the fairways as if they had been made for centuries. H.N. WETHERED
I would even go so far as to say that the links occupy a place as a traditional form of art. But the artifice should be subjected so that it remains hidden. Unnecessary hazards, however prettily they may be shaped, will destroy the unity and harmony of the natural surroundings; they should merge in the fairways as if they had been made for centuries. H.N. WETHERED
I would even go so far as to say that the links occupy a place as a traditional form of art. But the artifice should be subjected so that it remains hidden. Unnecessary hazards, however prettily they may be shaped, will destroy the unity and harmony of the natural surroundings; they should merge in the fairways as if they had been made for centuries. H.N. WETHERED
I would even go so far as to say that the links occupy a place as a traditional form of art. But the artifice should be subjected so that it remains hidden. Unnecessary hazards, however prettily they may be shaped, will destroy the unity and harmony of the natural surroundings; they should merge in the fairways as if they had been made for centuries. H.N. WETHERED
I would even go so far as to say that the links occupy a place as a traditional form of art. But the artifice should be subjected so that it remains hidden. Unnecessary hazards, however prettily they may be shaped, will destroy the unity and harmony of the natural surroundings; they should merge in the fairways as if they had been made for centuries. H.N. WETHERED
The true links were molded by divine hands. Links-land, the fine grasses, the wind-made bunkers that defy imitation, the exquisite contours that refuse to be sculptured by hand—all these were given lavishly by a divine dispensation to the British. ROBERT HUNTER